Study of the small garden staircase designed by Eileen Gray for her own villa in Roquebrune (1926-1929). The handrail becomes the solution to broaden a staircase which would otherwise be too small for the simultaneous passage of two people.

Study of the project (1929-1933) by Alvar Aalto. This sink was designed to attenuate the noise of falling water by accompanying its flow with a sloping surface.

Tilted cube. Watercolours.

Study of the work (1970) by Ugo La Pietra. A concept translated into drawing style and technique.

Reproduction of an Ettore Sottsass' piece of furniture.

Study of the project (1973) by De Pas, D'Urbino, and Lomazzi for Zanotta. Concept inspired by the game of the same name.

Study of the work (2004) by Felice Varini. Colored tape trace of light drawings beamed on architecture. The work is visible in its ensemble only from a determined point of view.

Study of the project (1969) by Bruce Nauman. Exploring the relation body-space.

Study of the work by Perejaume (currently at the Exposiciò del Garaf). An empty frames room, without floor or ceiling, located outside: paintings of a landscape that changes in time and depending on the observer perspective.

Plan study of the project by the architecture studio Figini e Pollini, Milan.

Plan study of the project (1956) by Gio Ponti. Space is divided through the use of movable partitions.

Plan study of the project (1951) by Franco Albini. Project for the post-war reconstruction of the working-class houses.

Plan study of the project (Milan, 1980-1985) by Umberto Riva. Unconventional space subdivision.

Study of the project by (1965) Achille and Piergiacomo Castiglioni with the collaboration of Enzo Mari.

Study of the work (1965) by Michelangelo Pistoletto. A timber painting halfway between art and architecture. A space for half real, but which is not possible to enter.

Study of the project (1927) by Marcel Duchamp. A door thought to avoid guests to stumble upon embarrassing situations: bathroom and bedroom will never be opened at the same time again.

Study of the project (1947) by Luis Barràgan. Evocative solutions to filter the light.

Study of the works (1998) by Corrado Levi.

Study of the project (1971) by Angelo Mangiarotti. Structural experiments.

Study of the projects (1978) by Angelo Mangiarotti. The legs shape and grade prevent the top horizontal surface from slipping down, creating this way a stable structure.

Study of the project (1989) by Angelo Mangiarotti.

Study of the project by Angelo Mangiarotti. This table takes advantage of the marble features to balance.

Study of the project (1978) by Achille Castiglioni. The table to be hung up on the wall.

Study of the project (1949) by Carlo Mollino.

Study of the project (2009) by Big-game. The elegance of the continuous structure profile: ironic allusions with new polymeric materials.

Study of the project (1945-1991) by Bruno Munari. The perfect chair for undesired guests: sloping and uncomfortable, in other words, an invitation to stand up.

Study of the project (1985) by Allan Wexler. A brilliant all-in-one solution for the garden: picket fence, shelves or chairs if necessary.

Study of the project (1966) by Angelo Mangiarotti. A well thought out game of inner reflection.

Study of the project (1962-1963) by Joe and Gianni Colombo for Oluce. The C shape, as well as the material used for this lamp, were thought to guarantee a perfect light diffusion.

Study of the project (1983) by Franco Raggi, Alberto Meda and Denis Santachiara for Luceplan. To switch on or off the light merely make it swing on the other side.